SPOTLIGHT ON THE ARCHIVE: Film and Psychoanalysis in Focus
SPOTLIGHT ON THE ARCHIVE IS A SERIES OF EVENING SALONS THAT EXPLORE THE LINKS BETWEEN CINEMA AND PSYCHOANALYSIS. THE SCREENING SERIES HAS BEEN ORGANISED TO CELEBRATE 100 YEARS OF THE INTERNATIONAL JOURNAL OF PSYCHOANALYSIS 1920-2019.
Barbera, J. Moller, H.J. (2007). Mulholland Drive (2001): A Self-Psychology Perspective. Int. J. Psycho-Anal., 88(2):515-526.
Blothner, D. (2015). The ‘Poor Ego’s’ Adventures in Outer Space – Gravity by Alfonso Cuarön. Int. J. Psycho-Anal., 96(1):211-223.
Cartwright, D. (2005). β-Mentality in The matrix trilogy. Int. J. Psycho-Anal., 86(1):179-190.
Civitarese, G. (2010). Do Cyborgs Dream? Post-Human Landscapes in Shinya Tsukamoto’s Nightmare Detective (2006). Int. J. Psycho-Anal., 91(4):1005-1016.
Knafo, D. Feiner, K. (2002). Film Review Essay Blue Velvet: David Lynch’s Primal Scene. Int. J. Psycho-Anal., 83(6):1445-1451.
Lombardi, R. Pola, M. (2010). The Body, Adolescence, and Psychosis. Int. J. Psycho-Anal., 91(6):1419-1444.
Margulies, A. (2016). Avatars of Desire and the Question of Presence: Virtual and Transitional Spaces Meet Their Liminal Edge – from Pygmalion to Spike Jonze’s Her, and Beyond…. Int. J. Psycho-Anal., 97(6):1697-1708.
Meiri, S. Kohen-Raz, O. (2017). Mainstream Body-Character Breach Films and Subjectivization. Int. J. Psycho-Anal., 98(1):201-217.
Ozon, F. Schiller, B. (2005). On the threshold of the creative imagination: Swimming Pool (2003). Int. J. Psycho-Anal., 86(2):557-566.
Storck, T. (2016). Why Drive? Psychoanalytic Reflections on the Film Never Let Me Go. Int. J. Psycho-Anal., 97(1):187-201.
Tubert-Oklander, J. (1988). Technical Aspects of the Analysis of an Adolescent Boy. Int. R. Psycho-Anal., 15:207-224.
Poscheschnik, G. (2018). Game of Thrones—A psychoanalytic interpretation including some remarks on the psychosocial function of modern TV series. Int. J. Psycho-Anal., 99(4):1004-1016.
FANTASY AND SCIENCE FICTION
Chair: Caroline Edwards
Speakers: David Morgan, Alexander Sergeant
Psychoanalysis concerns itself with aspects of experience and identity that often remain unsaid, grappling as it does with the mechanics of bringing the unspeakable to light. Fantasy is a central concept here, working to express desires and fears in equal measure. Cinema has long been fascinated by stories that resonate with uncanny figments of the imagination, and its play with dimensions of the supernatural, and many of the most lucrative box office hits belong to the genres of the fantastic and science fiction. In this salon, our speakers will explore the metaphors and experiences of these genres. David Morgan will ask how films such as Ex Machina and Blade Runner place our fears about artificial intelligence front and centre, resonating with the work of Herbert Marcuse in One Dimensional Man. Alexander Sergeant will explore how The Wizard of Oz and its play with the fantastic allow us to embrace the illusory nature of experience and to enhance the pleasures of cinema so that it better resembles an object of childhood play.
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Please find below an open access list of selected papers about psychoanalysis and film.